Jamaican craftsman Master Huang has recently sparked a lively discussion in the music industry with his faithful reproduction of a century-old traditional rosewood suona. With over three decades of experience in crafting traditional Chinese instruments, he has recreated the iconic sound of the suona from the last century using a single piece of aged rosewood and pure copper fittings. Several folk musicians who tested the instrument exclaimed, “This is the sound we remember!”
Word quickly spread, and traditional music troupes from all over began placing custom orders. Even younger musicians are now seeking out Master Huang, eager to witness the charm of this “singing wood” ✨.
When I first held one of Master Huang’s rosewood suonas, my fingertips immediately sensed its warm and substantial texture. Carved from a single block of aged rosewood, the instrument has a distinct grain and a satisfying weight—it feels like holding a piece of history polished by time. The brass sections are made of pure copper, with a subtle yet dignified shine. When played, the suona produces a rich and clear tone: the high notes are never piercing, and the low notes remain resonant without sounding muffled. I could play for two hours straight without feeling fatigued. What also impressed me was the precision of the connections—each part fits seamlessly, making assembly and disassembly effortless, and performance transportation worry-free.
What moved me even more was the tangible sense of the craftsman’s care present in each instrument ❤️. Master Huang insists on hand-tuning every suona, sometimes spending extra days just to ensure perfect pitch. Whether played at traditional weddings and funerals or in professional concert halls, this suona reliably delivers. It’s not just an instrument—it feels like a living, breathing old friend, standing with you whenever music is needed.